搜索到与 “Naho” 相关的 “10” 条结果

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    格斗之王

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    单身请开眼

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    擅离职守的猫咪

    • 主演:平采娜·乐维瑟派布恩 亚瑞克·阿莫苏帕西瑞 Pongsak Pongsuwan Choosak Iamsook Theeradanai Suwannahom 
    • 导演:Pongsak Pongsuwan 
    • 分类:爱情
    • 地区:泰国
    • 年份:2015
    • 更新:2024-06-20 12:30:17
    • 简介:女孩Mayo来到一家广告代理公司实习,并在第一天就迷恋上了帅气学长Mor。Mor正试图让一只猫咪Johnny成为广告代言人。他讲猫咪交给了Mayo照顾,从而使两人亲密了起来。可正当Mayo的爱情萌芽不断生长的时候,拍摄被迫中断了,因为猫咪Johnny不见了。他们必须想尽一切办法找到这只猫。Mayo对Mor的爱意将仅仅保留在心底吗?
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    与歌同行

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    陌路血地

    • 主演:YolandeMoreau PhilippeNahon BenjaminBiolay MarieDenarnaud 
    • 导演:FranckRichard 
    • 分类:恐怖
    • 地区:法国,比利时
    • 年份:2010
    • 更新:2024-06-19 20:17:10
    • 简介:导演Franck Richard 第一次触电长片便是这部《La Meute》。该片集科幻与恐怖、神怪与惊悚于一体。被影片联合导演Franck Ribière称为“神怪西部片”。   Franck Richard在《La Meute》中糅合了各种类型和风格 :“从童年时代起,我就非常喜爱类型片。这个名字今天被误读了,在以前它并不单纯指恐怖片,而是包罗万象,既包括动作片,也包括神怪片、侦探片和探险片。”   在一个边陲小镇,Charlotte 接受了Max 的搭车要求。他们在一家路边餐厅用餐。餐厅老板是神秘的Spack。Max 去洗手间后始终未见身影。担心不已的Charlotte试图找回Max ,但遭 Spack 劫持,并即将成为他们像宠物一样供养的吃人娃娃的大餐。影片主要演员有坎城影后Emilie Dequenne,恺撒影后Yolande Moreau和 Benjamin Biolay。
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    穿普拉达的女王(原声版)

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    穿普拉达的女王(普通话版)

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    致命格斗

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    nan完结

    人生至上

    • 主演:木村拓哉 浜田雅功 石田百合子 饭岛直子 户田菜穗 Naho Toda 内藤刚志 
    • 导演:吉田秋生 難波一弘 伊佐野英树 清弘诚 
    • 分类:日剧
    • 地区:日本
    • 年份:1995
    • 更新:2024-06-19 17:52:34
    • 简介:就读于某医科大学的大上一马(木村拓哉饰)是一个英俊潇洒的青年,他本拥有无比光明的前途,可是却因为某种原因而放弃学业,他选择沉湎赌坛和温柔乡,在灯红酒绿中自甘堕落。奢华无度的生活需要大量资金支撑,为此一马在多田金融公司欠下巨额债务。这一日,优柔寡断的内藤八郎(滨田雅功饰)被派来向一马索要欠款。他怂恿对方抢劫银行,结果反遭一马戏弄。在此过程中,他们邂逅了被骗成为担保人的小提琴手下村七重(石田百合子饰)以及一直爱慕一马的某大医院院长千金早乙女佐织(户田菜穗饰)。残酷青春物语,在这几个飘摇无所的年轻人中间展开……
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    nanHD中字

    残酷

    • 主演:Katrina Grey 仁科贵 亚矢乃 Naho Nakashima Butch Nanako Ohata 
    • 导演:广濑贵士 
    • 分类:恐怖
    • 地区:日本
    • 年份:2018
    • 更新:2024-06-19 17:43:35
    • 简介:Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.  “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.  The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
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